A symphonic experimental short film charting the visceral and tragic process of the deterioration of memory. Embers uses analogue media such as celluloid and tape to explore themes of impermanence and contemplations on the death of consciousness through a fusion of narrativity and structuralism. The film is comprised of a combination of 16mm, 8mm and Super 8 film, naturally decayed through various means to create an interplay between the images and the traces of time upon its surface.
